We were atop Hemakuta Hill examining a complex of ruined Jain temples illuminated by early morning sunlight when we first heard the music below. It was faint, but bright-sounding, and came from the Hampi Bazaar just next to the Virupaksha Temple. The fanfare of trumpets and boisterous drumming beckoned us down the hill and into the Bazaar where a crowd had formed, but not around the musicians, rather next to them. The subject of everyone's attention was a young woman whom they were rigourously adorning with garlands of jasmine buds. These were the preparations for a Hampi wedding ceremony.
The bride, groom, and wedding party made their way into the temple complex. Quick to follow, we paid our 4-rupee admission fee, left our sandals with the shoe wallah, and hobbled across the hot stone colonnade. In the middle of the temple sanctuary, surrounded by 15th-century granite columns and friezes, the crowd assembled, and sat upon the floor. The bride and groom sat facing their guests and a gaggle of attendants formed behind them. To the left of the couple was the officiator, a tall, lanky man with a simple white cotton sheath wrapped around his waist. The musicians made their way to the adjacent arcade, their sinuous sounds evocative of music that would accompany a belly-dancer or be employed by a snake charmer.
Women wore a panoply of colors. The bright gold of their bulbous earrings and long, slender necklaces matched the gilded edges of the 15-foot pieces of cloth wrapped intricately around their bodies. The groom was well-groomed in a white, nehru-collared shirt and trousers with a long yellow scarf hanging from his neck. A strand of light coral-colored beads was fixed on two sides of a white tri-cornered hat so it draped across his forehead, the two ends falling at his temples. Orange flowers and a corsage of white jasmine decorated his neck and wrist. Lavishly attired, the bride wore a blue and red plaid shawl and an imperial purple cape, under which on could see traces of an orange sari and scarf; white and orange flowers adorned her black hair, as did a "veil" of red with golden lace. Several garlands were placed around her neck and her strand of beads and corsage matched those of the groom's.
All functions assigned and everyone in their place, the events that followed were a feast for the senses. Women poked and prodded at their saris, adjusted and re-adjusted the strings of jasmine buds in their hair, cuddled and disciplined small children, and shouted orders to the bride's attendants. The men walked about the sanctuary often forming intimate groups for brief conversations, examined features of the temple, taunted the musicians, and offered us rides in their rickshaw ("tomorrow you go to Royal Palace? I have rickshaw!"). The children harassed smaller children and parents, banged on a giant drum suspended from the temple arcade, and entertained themselves by running about and devising all kinds of impromptu games. They were completely aware of Zach and me, would coyly approach and ask us what our country was, could we give school pen or one rupee. A man wandered through the crowd with a small silver bowl of red powder dotting foreheads with the third eye while another attendant carried a larger silver bowl with dry, colored rice and distributed a handful to each guest (including the two of us). The officiator fussed over a gold tray which held candles, incense, a dried coconut, more jasmine flowers, and a small pitcher. Candles and incense were lit, coconut milk was poured from the pitcher, flowers were strewn about, and the bride's attendants became preoccupied with her veil, shawl, and cape which were constantly slipping off her head and shoulders. Another man, perhaps father of the bride or groom, began to argue with the officiator over the ceremony rituals, becoming hostile at times, while the groom remained expressionless and seemed almost oblivious to (or numbed by) the chaos surrounding him. Impatient children and short-term guests prematurely threw their handfuls of rice over the couple, only fueling the father's anger.
A hot wind blew, sandalwood incense smoked, candles burned, tourists came and went.
Finally, the large silver bowl of rice was placed in front of the bride and groom. They took turns cupping their hands, dipping them into the bowl, and pouring the kernels over each other's heads, a gesture that brought smiles to their faces for the very first time. The right end of the groom's yellow scarf was then tied to the left end of the bride's orange scarf and the wedded couple rose. Grinning from ear to ear the father frantically wove his hands over his head, rice flew through the air, and the musicians began to play once more. The entire party paraded around the sanctuary before exiting the temple and within minutes the trumpets and drums sounded faint, but bright, just as they had from Hemakuta Hill earlier that morning.
--A